posts tagged with ‘lets chat!’

naughty betty cards: let’s chat!

posted by the scholar on July 7th, 2008
filed under: humor, paper, let's chat!
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i nearly spit my drink out when i opened my birthday card from a dear friend recently. actually i may have and i am still a little embarrassed about it, but i couldn’t help it. it was a laugh-out-loud funny, harsh and absolutely inimitable naughty betty card, from the dark and stormy minds of chicago designers christine montaquila and courtney weinberg. christine and courtney clearly have a bright sense of humor and a keen sense of style. their cards are sharp and truthful but are tempered with just a skinch of sentimentality. this formidable combination has enough visual jet fuel to teleport you to a playful place, stand by patiently idling its engines while you play around there for a bit and get you back to planet earth satisfied and smiling. let’s have a chat with c + c and find out more!

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q: where do you live, and where do you create your collection?
a: we live in the northern suburbs of chicago. we’re minivan driving, latte drinking suburban moms. can’t even try to hide it. we either create our cards in our home offices, borders, or crouched in a broom closet so our toddlers don’t find us.

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q: how did you two come together to create naughty betty?
a: we worked together as a writer/art director team at ogilvy & mather in chicago. we did many, many campaigns for women’s brands that we loved but never made it out the door. so we started to craft a voice and look we loved that was brutally honest, and talked to women the way women talk to women.

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q: can you tell us a bit about your creative process? how do these cards get out of your head and onto the paper?
a: it really is a very organic process. a lot of our inspiration comes from our lives. our hectic, crazy, extremely average lives. we tend to write down funny stuff along the way and see how it feels as a card and if it captures a sentiment just right. then we revise, revise, revise.

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q: your collection is so memorable thanks in part to its bold and clean graphic style. do either of you have a design background?
a: the design is courtney’s gig, but since i’m the writer i will speak for her. she’s got a design background and a fabulous eye for cool, modern things. she obsesses over every color! she’s really a design whore. (ed. note: this is the quote of the week.)

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q: the laugh-out-loud, descriptive imagery in your cards really hits the nail on the head and takes me (and i suspect everyone else!) to a specific place and time. have you drawn on your own experiences while creating them?
a: oh yes. all of it. i suspect my husband secretly watches porn, and i have been that drunk girl peeing in an alley. when courtney was ten she french kissed her pillow with braces on. anything you read, we’ve lived.

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q: what inspires you to make the line?
a: we love the idea of connecting with women and creating this dialogue about modern life. we certainly live differently then our mother’s did, working, raising children etc., so part of it is a social commentary on it all. after working in advertising for 15 years, we also love the honesty we’re able to have. you simply couldn’t be this blunt in an ad, but the truth is, people love the truth. they respond to it. and we love being culturally relevant too. greeting cards have a shelf life, so we can talk about things in the world that work now, but may not in two years. plus, life is just a hoot. senators having gay sex in bathrooms, people eating cockroaches on tv… this is good stuff!

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q: exactly who is naughty betty? any relation to ugly betty?
a: naughty betty is the name we came up with on the phone when we realized all the other names we liked were trademarked. it was a bit before ugly betty got so big. we loved the idea of it being a woman’s name, and the naughty gives us permission to offend people with our harsh language. “We’re not Politically Correct Betty” is what I like to say!

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you can purchase naughty betty cards at multiple choices and paper boy here in chicago, as well as paper doll in portland, heartfelt in san francisco and nancy nancy in brooklyn. if you are a retailer contact calypso cards for distribution info, and for more general hilarity and to contact christine and courtney, see their website.

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thank you ladies!

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reina mia brill knitted wire and ceramic sculpture: let’s chat!

posted by the scholar on June 6th, 2008
filed under: art, clay, metal, mixed media, let's chat!
5 Comments »

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when my cool friend burt came back from the acc show in baltimore, he told me that he really enjoyed the ceramic sculpture collection of new york artist (and recent donor to locks of love) reina mia brill. of course when i looked at it i went a little nuts. i love the clever combination of color and form, all the intricate detailing and facial expressions and most importantly the freedom these pieces give to my imagination when i look at all of them. let’s have a chat with reina mia and find out a little more!

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q: where do you live, and where do you create your art?
a: i live and work in a remote section of the bronx in new york city called city island. i like to call it the mythical island in the bronx because in all the 10 years i lived in manhattan i never heard of this place. my boyfriend dan grew up here and we are living in the actual house where he grew up. city island is a very unique place… it is an old fishing village trapped in time. my studio is in the basement with two windows at ground level where i say hello to all stray cats, birds and even snails that come and visit me.

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q: what is your background, and did you study art formally?
a: i have an mfa from san diego state university in jewelry and metalsmithing which was where i got started knitting wire. i made hand-knitted wire jewelry for five years out of graduate school. i never was really happy making jewelry, it just seemed practical at the time. so in 2001 when i received a $7,000 fellowship from the new york foundation for the arts i decided to finally ditch making jewelry and do what i always wanted to — make sculpture. i also hold an undergraduate degree from fit (fashion institute of technology) in accessory design which is why my creatures are always very well accessorized.

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q: so, why wire and clay? and how did you get to that place of combining the two (along with several other materials)? have you always worked in multiple mediums?
a: up until last year i only worked in knitted wire over a stuffed fabric covered armature. all the hand sewing was killing me. i wanted to be able to make work quickly. working in clay is not quick but it is quicker than sewing by hand. now i am able to build the figures faster and more sculpturally. after the pieces have been glazed i will embellish all the clothing and sometimes the bodies as well in knitted wire.

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q: these pieces are exquisitely detailed and must be very labor intensive. (without giving away any secrets of course!) can you tell us a little about the techniques you use?
a: i first start with a drawing usually found in one of my sketchbooks. the figure is then hand-built in a low fire clay and glazed with underglazes. i use two very old-fashioned knitting machines to knit the wire. one is a sock-knitting machine from 1923, the other is a big double bed passap machine from 1960. i can create beautiful dimensional patterns off of the passap machine which i usually use for the clothing. the sock-knitting machine creates a sinuous knitted tube that i like to use as skin covering. i knit with very thin gauge coated copper wire that has been coated with a polynylon coating for color. once the figure has been fired i determine which areas are to be covered in wire. sometimes it is just the clothing and eyes and other times it is the entire creature. the knitted wire is stitched to the clay body by hand and then tacked with an epoxy resin.

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q: i see a common thread of expressive human emotions as well as physical animal traits in these characters. did it come naturally to blend the two?
a: i have been drawing since i was a kid. my dad and i used to play these creature drawing games together. we would start with a blank piece of paper and then one of us would draw the first creature. the next person had to draw a creature interacting with the one on the page. we would keep drawing until the page was filled up trying to make the most outlandish creatures.

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q: what is the price range of your collection?
a: i offer a wide range of prices. on the low end i do creature illustrations framed in knitted wire as well as wearable creature brooches. these works sell for $95 to $250. my standing and wall sculptures start at $275 and increase in price depending on the size and the labor involved. two figures i made for an exhibition in poland last year stood just under 5 feet. they each sold for $10,000 but i spent 6 months creating them.

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q: what is your inspiration for these works? do you have a message you want to send through these pieces?
a: i do lots of sketches. i will study people, usually children on the street for a variety of poses. children’s faces are the most fun to watch for their devious little expressions. the animal/human imagery has just come naturally. when i study human faces, so many are very similar to animal faces. animals, however, offer a wider array of eyes, ears, feet and mouths to come up with my own species of creature. my work does not have a message. i love that it makes many people laugh and smile and remember their childhood. other people are scared by my work and that’s interesting too. the work is open to individual interpretation.

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q: where can we go to see your collection in person? are you exhibiting in any current or upcoming shows?
a: i am currently in three exhibitions around the country. the first is called contemporary repetition at the long beach island arts foundation in new jersey. it’s on view now through june 16th. the second is called contemporary crafts at the jrb gallery in oklahoma city. the show just closed but the work might still be there for a little while. the third is a traveling exhibition called fiberart international 2007. this show opened last year in pittsburgh and will be traveling through 2009. currently the show is in charleston, west virginia through june 22nd at the clay center. this show is accompanied by a beautiful catalog as well. i also show work regularly in new york at the eclectic collector in katonah and mano a mano in bronxville. i will be selling my work myself at the following craft shows: the niada conference in las vegas at the show and sale on july 27th; the doll and teddy bear expo in washington, dc august 9th and 10th; and back again in dc in november for the washington craft show. in 2009 i will be at acc baltimore in february and most likely craft boston at the end of march.

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thank you reina mia (and thanks to burt for the great tip)!

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michelle armas paintings: let’s chat!

posted by the scholar on April 24th, 2008
filed under: art, paintings, let's chat!
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the world connects us in mysterious ways. you know how last week i interviewed suzanne shade of the beholder? it was so funny because in her answers she mentions the work of graphic designer michelle armas, who is one of the artists her gallery represents. the funny thing is i had contacted michelle and asked her for an interview before my interview with suzanne was complete. call it six degrees of separation or odd coincidence, but without further ado may i present these engrossing oil on canvas works. when i look at them i think that i could be anyplace at any moment, moving closer and closer to the canvas. there are sweeping curves and jagged peaks and wispy lines and cool splotches of color that are harmonious and flowing and make me wish i was in a gigantic room using my peripheral vision to see all of them at the same time, my eyes greedily scanning the corners and walls so as not to miss one bit of it all. let’s have a chat with michelle and find out more!

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q: where do you live, and where do you create your art?
a: i live in a house in atlanta, and my studio is the whole top floor, the master bedroom, but who needs a huge bedroom? i have lots of natural light, that is great for painting, and just a few steps from the kitchen, very important. my intern coco (below) is frequently working with me too.

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q: what is your background, and did you study art formally?
a: i have a masters of graphic design in branding. i moved to new york after i graduated and worked in branding and i really didn’t like it. i was way stressed out, so to feel better i started painting, and it kinda grew from there.

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q: do you have a favorite medium to use?
a: i love oils so much, so fluid, i even love the smell, it is like there is some serious science going on when i smell that oil. but, i am experimenting with acrylics now too, they dry so much faster, and since i layer so much, i can make a whole painting in a few days, it changes how the end product looks. very cool.

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q: do you think your painting style influences your graphic design work, or vice versa?
a: i am so much a graphic designer, i start with a concept or a story first, then explore basic shapes that communicate the idea, however abstract. then when i have a clear voice, i let go and just create. that is how i design too. i can’t just say, oh i want to do some flowers. it will end up looking crappy.

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q: what is the price range of your collection?
a: very inexpensive actually. canvases around $400-$600, with prints from $20-$30. but i do have another project that i will reveal soon, that involves textiles.

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q: what is your inspiration for these works? do you have a message you want to send through these pieces?
a: my first series was inspired by science. i am a huge science person, i love the idea of cells upon cells working together to create a body, and bodies together, very special to me. also i love history, i read historical books all the time, so i was researching early biologists and their reactions to the discovery of bacteria and single celled animals. how wonderful, i thought, to learn about these things that are all around, and how that would trigger your imagination. i don’t send messages really, i like to just create a fantastical environment, a place to let your brain just go and dream.

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q: can we go to see your collection in person anywhere? are you currently exhibiting in any shows or is there anything else meaningful you would like to include here?
a: i am participating in a show at the tinlark gallery in september with some very talented artists via little paper planes. i keep selling paintings, that is good, but that makes it hard to have a permanent exhibition anywhere when i don’t have a very large body of work.

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say hi to michelle on her blog, view her graphic design portfolio here and see more work from her in her etsy shop and (of course!) the beholder.

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thanks michelle!

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skogstad/vold product design: let’s chat!

posted by the scholar on March 13th, 2008
filed under: home accessories, design, let's chat!, furniture, lighting
4 Comments »

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ever since i caught a tiny glimpse of their work on designboom, i have been charmed and slightly obsessed with the clean, youthful designs of petter skogstad and haakon vold, for their company skogstad/vold. the items they have included in their collection are fresh, playful and inviting all at the same time. the designs have a flexible versatility, which make them appropriate for use in a variety of applications. to me the outstanding consistent theme here is the focus and balance of both masculine and feminine qualities. i love their stealth lounge chair (above), which was inspired by modern military aircraft, but it also reminds me of the opening petals of a flower. i enjoy the minimal lines and strong material of the steel break vase (below), which softens and transforms when flowers are placed within it. and of course this balance is clearly demonstrated in the graphics on the appropriately named fun wall clocks. these are the thoughtful qualities that compel us to appreciate, seek out and live with quality design everyday. let’s have a chat with haakon and petter and find out more!

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q: where do you live and where do you design and make your collections?
a: we both live in oslo, norway, and we are senior students at akershus university college of product design (bachelor). we make most of our prototypes in the workshops at our university, but for bigger projects and production processes we use other companies with the competence we need.

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q: what is your top priority (or the most important element) when designing furniture?
a: to create products for the future. we focus on making contemporary products where aesthetics, function, environment and high quality play a big role.

q: who or what are your main influences?
a: we get inspiration from nature, specifically norwegian nature and clean shapes. this is further enhanced by exploring new materials and technology. we also have some favorite designers: ronan and erwan bouroullec, konstantin grcic, stokkeaustad, norway says, arne quinze, karim rashid and mid to late century scandinavian design (in the 60-70’s).

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q: are any of the pieces in distribution yet?
a: no, not yet, but we hope some of our products will be in production soon. we have a catalogue and website and have been in contact with a few manufacturers.

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q: do you have a favorite material you prefer to work with?
a: we are trying to work with new materials, new technology and new production processes all the time, so we have no favorite material.

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q: what is the best single piece of advice you have received as designers?
a: keep it simple and focus on the details.

q: how would you finish the following sentence? the future of design…
a: the future of design will have more focus on the environment and it will be important as a designer to focus on the whole life-cycle of the product.

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skogstad/vold will be exhibiting these pieces and some exciting new prototypes too at the milan international furniture fair, from april 16th-21, 2008. they will be located in the area considered the launching pad for young designers, called saloneSatellite. i have high hopes that production with a quality manufacturer will begin soon, and look forward to seeing their pieces here in chicago someday.

thank you haakon and petter!

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