carmel killin textile design: miniview

i enjoy the work of sydney artist carmel killin, aka etsy seller feedthedog. there is something hopeful and inviting in the appealing limited edition and one-off screenprinted cushion covers and wall hangings she creates. i like her textures and earthy colors and simple art styles, and i like the natural fabric she uses. ever curious to know a little bit more about the brains behind the operation, i asked two quick questions…

q: how did you get into designing?
a: the truth of it is, i’ve been “seeing” and visually “re-imagining” the world around me since the dawn of time, or at least since the age of 12 when my parents (who have no taste whatsoever, god bless ‘em) moved the family to a hideous new brick house in a freshly created suburb with no trees. the unbelievable ugliness of my interior and exterior surroundings at such an impressionable age had me begging my parents for years to follow my fabulously detailed design suggestions. to no avail. at the same time i was writing short stories and had a spurt of published fiction in my 20s. at university i dabbled in photography and film making, which led to many years working in the film industry. i’ve had no formal training as a designer, i have just always been attracted to the visual world and the desire to interpret what i see, give a common object a new visual story. as a devotee of DIY philosophy, i love doing short courses. knitting, sewing, screen prining, felting, welding, dyeing… done it. with a few non-design-related degrees under my belt i fell into tertiary teaching, but after learning the basics of computer design applications started teaching graphic design to university students. i still teach design, though these days it’s all studio-based and hand-crafted projects. which of course i adore.

q: what inspires you?
a: i think my love of story telling informs a lot of my visual work, though not in any obvious way. i’m also really captivated by the wonderful skewed shapes and lines of children’s drawings and their rough, scribbly colouring-in technique. i love odd creatures, plain creatures and silhouetted shapes. old national geographic magazines from the 60s and 70s have fabulous animals with wonderful personalities. a blank piece of highly textured fabric excites me with all the possibilities and challenges it presents. i love shapes and lines in the landscape, shapes and lines in common, plain objects. details, like stitching, shading, trims, buttons, are delicious to me. so too, unexpected combinations of pattern and texture, objects and things. oddness, whimsy, humour are very attractive to me.

well, after reading her answers doesn’t it all makes sense now!? two thumbs up!

if you’re a local, you can frequently find carmel at the paddington market in sydney. if not, see and purchase the available collection at carmel’s etsy shop, and be sure to check out her humorous, well-written blog too!

thank you carmel!

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bear art round up

new york giants 21, chicago bears 16.

i’m not the biggest sports fan in the world, but my home team, which should have won today’s professional football game, bombed out in the 4th quarter. i think i like these other bears much more right now:

birthday print from milwaukee’s little friends of printmaking

polar bear on ski vacation blank greeting card from delray beach’s citrus tree designs

bear vs. robot wallet by chris bishop for portland’s tiny meat

handknit merino wool koala bear from houston’s barking dog designs

long time original acrylic painting from tampa’s christina lyon

happy bears tee shirt from brooklyn’s marilyn patrizio

the bear regretted his decision print from sydney’s yellow monday

handmade benedict bear from adelaide’s little red pear

roomscape polar bear collage from austin’s one creative girl

surprise! they’re all available on etsy!

i think we have enough players assembled here for the tee formation now…

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yellow monday prints

please enjoy these prints from linda at australia’s yellow monday (named for a cicada exclusive to australia).

the stolen moments that can be captured from a moment on video serve as linda’s inspiration, due in part to her production experience. space constraints have diminished her ability to create etchings, but the printing process she currently uses still emphasizes extensive layering and reworking. she works in paint, colored pencil, ink, and digital.

linda likes cats, order, recycled things and cups of tea.

i like her emotional color palette, strong lines and composed portrait style.

browse, admire and purchase in her etsy shop.

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